Criticism by Joan Forestry Association Llus International Ibez art critic Adolfo Garcia, a tour of its usual images Adolfo Ibez read works primarily on wood and material, with different procedures, dealing with different concepts, from themed rural, female nudes, still lifes to baste through ideas that are forms in space, abstractions, where it has not been described alegoray predominate. Addresses the creation pictorial from themed series, which never closes, continundolas to through the years, simultaneously several themed steadily, highlighting in this regard its formation No self-taught, outside schools and procedures. This carefree attitude, from her period aproximacin initial plastic art, you can combine very different from s series, in a process of experimentation that sometimes proves to be highly ordered and coherent in others it shows open ms in sense of being open to the themed regardless of the consequences of implementing it. In many cases dealt with two or three works based on the same idea or make a short series of them to prove his natural ability experimentaciny assess the potential for development. Comes from family of marble workers, carrying out, for this reason, sculptured raids, highlighted by his mastery of drawing and perspective, working volume, demonstrating your qualifications for the creation. In classical formation, in his early paintings seeks harmony, realism and orderly composition, for, later, over the years, tackling an expressionist creacinms , highlighting features, promoting not only chromatic contrasts in their characters but to exacerbate the sense of reality, placing his characters and elements in the position of the liberation of their usual coordinates, to get stand by s same, regardless of other considerations away from the purely plastic. The rural expression, characters that look storytelling asmismos and artistically it does not explain but we imagine His painting is overblown, mythologizing of rural, giving much importance to the elements, things, tiles, food, situations and characters of this medium, especially for its great features, the preponderance of the volume, because it deals with farmers endowed with a certain size, in terms of the bodily sense, centrndolos or not, seeking to highlight in the context of the expression of the idea. These characters lead us into the time tunnel in which worlds that explains, in which not recreated, but the same vision of these characters, makes his existence is as real as those. This character, composition, comprising images of history that sustains them, expressing a past full of adventure and hardship, which are still beings mouth make rural life. The drawing, in general lines, determines an obvious part of the personality of its creation. Illustration used in such a way that enhances the expression of the idea, increasing its projection. His work is essentially expressionistic figurative in character, but also makes forays into realism also has creations within the ambit of Abstract Expressionism, gay. Domina perspective and drawing, from a realistic work, which centers the composition, seeking harmonization of the factors involved in it, connecting with other more apparent precision, but at the same time, secondary and complementary. The center of your composition is always the ahque center and focus on the dynamics of balance, evidence of the harmony, conveyed in their own unique manifestation of what happens in their world : Plasencia, Cceres, Malpartida de Plasencia, rural, countryside, nature, men and women who comprise it. No interest in landscapes, but by its people, but focusing on flowers and plants, which presents decontextualized. In his scenes of rural characters, first is realistic, showing men weathered face, the trail of the sun on the skin over the years in looks, strong Complexin, not very high, yet powerful, represented with his donkey, carrying watermelon, or playing cards or alternating in bars, where also the figure of the drunk. Is wine, wine culture, but also that of cigarette cards. All of them looking, mirndose, expressing the force that determines. Their faces, worked by the sun king, endowed with Determination, strength and balance nourished. Explain your background, to travs form, staging their time off, in the moments in which the tenants are focused on the game of cards, tell stories and memorabilia field, recalling old times volvern ever. Sometimes some people like the past, despite its hardness, craving contact with nature more clear, true and constant. In others, are explained clearly about the current situation in which there is no investment, no money, brokers earn more, and lives a lonely field advanced, almost appellant. It is the image of the abandonment of a medium that feeds us all, but that does not have future in certain areas. Is a dynamic expression of life, which has now been superseded by changes to the appearance of large areas agrcolas, with the predominance of large areas, where the tractor has replaced animal many years ago. Although there are always some veterans, those who love what they want, they can become bearers of a culture, about which new generations has resigned. It is displaying scenes of a rural world that estviviendo agrcola its last throes, due to industrialization, maquinizacin the field, the disappearance of little ones fields, home gardens, the young looked forward to an overwhelming nature , or maintain interest that no longer exists or at least weakened. Adolfo Ibez paints rural scenes, worlds within worlds, worlds rural, diverse, an beings are telling stories that are not written, using tools that desaparecern soon. These stories have a background that is extensive, because it means years of work, from dawn to dusk, levantndose early, but ... Now change the scene varies, their memories are prevalent in the skin, his big hands and strong arms, strong legs, nothing stylized, but demonstrate the hardness of their work. The field, the contact with nature, sometimes enjoying it, the fresh air, the rain that holds resguardndose sometimes quejndose of severe climate. Everything is relative, because in the field for all snakes are bad, because they bite, will have no poison, but impose their presence distressing. Reflects the farmers in times of rest, drinking, playing cards, with its great features, tanned skin, of sight, but estn ah, expressions of life, contained in the intensity of smoking, focusing on the card game. In the retina of nature, or their remnants. With the dilemma in tow, because it seems that estjugando in their favor, because that is what gives them strength, evidence, coherence, food and work. But at the same time, they must fight against insect pests, snakes and fro. There is an idyllic vision of his, because it focuses on the human being, man and woman, tired over the years, busy for the onslaught of the elements of nature, although many sometimes have to overcome weather with perseverance and faith, to obtain travs victory of perseverance, persistence at work. Work as a center of his life. In ahque point to features of their faces, expressions, hands, arms and also describe the results of their work. As the central figure of cheese, freshly made, authentic cow's milk, which exhibits in all its intensity and flavor. It's life, the intensity of life, experienced a crude, seeking the soul of the painting, more than describing situations he does is revive mood, which are at the crux of the topics about . Self-taught, seeks to rise from the obvious, in the sense of being a born experimenter, different testing techniques, research to grow in knowledge and able to operate with authenticity. The Naked and the flowers are glad Suddenly, amid so much expression, female nudes, stylized, almost set on a pedestal, Intrinsic qualities emphasizing those that are result of their dreams. Because your dreams are full of beauty, without compromising the reality that governs. Chromatic treatment of their naked moves away from the expressionist approach, built with contrasting colors and different, seeking the strength of the evidence, the Determination of the very action that drives them to overcome constraints. Not looking for detail, but the way, the exaltation of the naked form, suggestive colorful, red, yellow, orange, involving women, protegindola, as if endowed with the aura of magnificence. In this context also emphasizes his conception of the image of flowers that focuses on the composition, seeking to strengthen the force that carries the color and shape, in short, emphasizing the aesthetic, the subtle est policy, which is grand in its intimacy. Sensuality, treatment of yin and yang, Through his first locals, farmers, lords of the field, rude, faces clumsy, big hands, then women, sensual, cosmopolitan city, mystified. Beauty and the Beast, the crude and subtle harmony. Christ, objects, abstract look, the alegoray the future is a painter of moments, moments that are eternal, wrapped in his own time look. The Christ, Jesus Christ, Christ kind, noble, shattered, focused on the suffering of the cross of martyrdom. It is Christ's suffering, expressionist, but at the same time, deep in the solitude of the target, which is not solitude, but concentration in the paradigm of the sky. Objects, realism, subtle elements that reveal the existence of children, bear on the bedside table, the mother and daughter looking in the mirror, which reflect directly. There is an attitude of fervent ardor of Determination in the pit of fate, sweetened feeling about a world of innocents. Mastered the technique, to the detriment of the concept, prefers to concentrate on the execution of work in the realization of its composition, in all aspects of their evidence. His realistic painting is based on the perfection of features, to polish expressions, searching for harmony, emphasizing the central facet of the composition. The idea conveyed to travs of realism, focusing on the characters in the delimitacin of its elements, which has dovetailed. There is nothing unusual, everything estcalculado even seeks to be harmonious in all elements. There are also allegories and allusions to other worlds, more elaborate, subtly implied, the result of letting his subconscious flow, connecting the emotional part that governs the same with that of being of the person and also with the progresin soul. Consequently blurred, eliminating references, diluting icons. His landscapes do not describe, are abstract landscapes, without specific references, the dynamic range contained in the most intimate sense of the spirit of the creator. Investigates the prolegmenos of abstract understood as unconscious as a product of his desire to go more allde references. The abstraction allows you to achieve the spatial concept, in which he addressed the composition with a Determination Alegre, in the aspect to weave their desires to develop the idea, without representing it realistic or expressionist, but seeking the participation of abstraction, understood as a mental attitude. Their world is of rural origin, their aspirations are to go more circumstantial allde of ahque in his work reflects this ongoing dialog between different ideas, which is in its initial phase, in the sense be consistent with what his conscience dictates and imagination of the moment. It is not spontaneous, it ponders its work long before moving on to the execution. Stroke is not fast paced or straightforward, but, first draw, then paint, to, for below, evolve into a subtle and consistent approach with its new stage. No forget their origins and, therefore, is more allde the unification of themed, getting to be in harmony with the existential moment. In fact, the painter from Extremadura is faithful to what we think and feel, regardless of market requirements, instalndose permanently on a tour of its usual images. Joan Forestry Association Llus International art critic Ibez PERSONAL Adolfo Garcia, with DNI 11762727-K n, born in Plasencia (CCER), the day 9 year April 1963 to 40 years and living in Malpartida de Plasencia, in the C / Fair No 13, married with two children. E-mail. Knowledge @ hotmail.com a.garcia self. PATH pictorial With pseudonym of A. Garci born in Plasencia in 1963. Based in Malpartida de Plasencia (CCER). It grows in a family of masons bound in the region where output powers sculptured, also acquired a mastery of drawing, the most refined Italian school imagery. His work is self-taught, it portrays a rural style of expressionism, which exaggerate the features of their characters with elephantiasis caused to give reasons for some faces lacking eyes. His characters have big hands but exquisitely worked. its figuracin is free, has no specific time or place, or walking. Taken from the rural customs and everyday situations, their work is the product of reality and life. Slide firm, seeks a detailed elaboration, incorporating real objects and environments that play with the expressionism of his other work. His incursion into exhibitions, is brief, but the search and consolidation of his work, is taking firm steps. Recently found the expression in modernism, opening a view into a way of interpreting his brushes with different polarities of contemporary art. The Find it on Pulse convey feelings through expression, leads him to flirt with the space, combining forms and concepts which the lyric of color combines with the forms, suggesting that there is a way of expressing all or nothing and perhaps the real is confused with the unreal. EX Expressionism RURAL POSITION First Exhibition: Hamilton Tavern 15 to 30 August 2001 Second Exhibition last year, House of Culture of the People's University of the City Council excelentsimo Malpartida de Plasencia inserted in the program prepared acts for fairs and festivals from 4 to 7 July 2002. Individual exhibitions: * Hamilton Tavern (Malpartida de Plasencia) August 2001. * House of culture (Malpartida de Plasencia) July 2002. * Cooperation Partner Ateneo de Plasencia Group. 2002. * Year 2002/03 drawing and painting classes at the University of People's Malpartida Plasencia * Ao 2003/04 drawing and painting classes at the University of Malpartida de Plasencia Popular * Ao 2003 ATENEO BUSINESS Itinerant Exhibition Lisbon (November 30-December 1, 2002). * Exhibition Cceres Ateneo - Ateneo de Badajoz - Ateneo city of Plasencia. * 2 Award in Painting. International Academy Platonia - April - 2003 * Exhibition of several works selected for the International Fair of Contemporary Art MAC 21 (Marbella) September - 2003 * 2004/05 Ao drawing and painting classes at People's University Malpartida de Plasencia * Joint Exhibition classroom culture in Malpartida de Plasencia. July 2005 * 2005/06 Ao drawing and painting classes at the University of Malpartida de Plasencia Popular * Permanent Exhibition on the Internet (page Artelista. Com). * Email. a.garcia @ hotmail.com